Posts Tagged 'Boston College'

Dance Organization of Boston College: A Peak Behind the Curtain

By Lydia Ahern

DOBC Performing on O'Neill Plaza

DOBC Performing on O’Neill Plaza

The quad outside of O’Neill Plaza was buzzing with activity this past Friday October 17, as students enjoyed the free food and live performances that were a part of RHA’s “BC Street.” As they snacked on Domino’s Pizza, Panera Bread, and Bolocos burritos, students stopped to watch Performing Arts groups at BC, like The Dance Organization of Boston College (DOBC), perform right in front of them on the grass. DOBC, a talented group of student dancers within Boston College, regularly performs routines for such campus events, among their own shows, throughout the semester. Through an interview with Alana Caso, Assistant Director for the organization, I was able to peek behind the curtain to see all that went into putting on a DOBC routine, like the one performed for “BC Street.”

The commitment the girls of DOBC put into their work is truly impressive. They meet three times a week, minimum, for rehearsals at the Brighton Dance Studio, learning or “cleaning” approximately 30-second increments of a dance each time. Aside from the “Big Show,” which in past years has completely sold out Robsham theatre and is falling on Jan 29, 30th, and 31st this year, the girls are constantly learning additional choreography for smaller events like “BC Street” throughout the semester. Although it is a serious time commitment, especially when performance events are added to the rehearsal schedule, Alana explains that her time rehearsing is more relaxing than anything else: a creative outlet and escape from the hectic school week.

Each member has a different background and strength. The outcome is a collection of diversified talents collaborating together for the “Big Show,” where they can preform all of their dances. Members who qualify in the beginning of the season are responsible for the choreography of their own dances, and the choreographers have freedom to choose any style of dance they prefer for their work. There is a style for everyone at a DOBC show: an audience member can expect to see any combination of jazz, ballet, pointe, tap, and modern, depending on whose input went into the choreography.

Still, the dedication and hard work the girls put into choreographing or learning a dance is just part one of all that goes into a DOBC performance. When asked about their favorite part about being a member of DOBC, the overwhelming response was the friendships they’ve made through the process. Part two of the DOBC equation comes from the fun they are having together dancing, and the family they have formed through all the hard work they put in.


“My favorite thing about Dance Org is the community we’ve formed with each other and within BC. It’s been an honor to see our group grow throughout the last 3 years I’ve been a member, and also to see how we’ve integrated and formed relationships within the greater dance community here on campus. It’s so important to me as director to maintain those connections, but also to maintain the family we have within DOBC. It was the greatest feeling coming into the group as a freshman and knowing I had 40 new friends, from all grades. It’s been the best feeling to see the new members go through the same transition and see the club bond throughout the years. Every year gets better and better, as we get closer as a team! I am definitely most excited for our show in January. It’s always the best week of the year for me and I can’t wait for the new members to experience the excitement. We always look forward to showing the community what we’ve been working on throughout the fall and to put on an entertaining and dynamic show!” – Jenni Mannion, Director, 2015.

“My favorite thing about DOBC has been meeting new friends. Everyone is really welcoming, and it’s great to know people around campus who share a love of dance. I am looking forward to our big performance in January!” – Lucy Purinton, 2018.

“Being a part of DOBC is one of the best experiences I’ve ever had. It has helped me grow so much, both as a person and as a dancer, and the atmosphere is truly indescribable. Being surrounded by such amazingly talented, hilarious, and genuine people never fails to put a smile on my face, and the relationships I have made are among my most treasured.” – Victoria DiMillo, 2017

“Joining DOBC was, hands down, the best decision I have made since coming to Boston College. Not only does it provide me with an outlet to do what I love most, it connects me with people who love to dance just as much as I do. I truly feel like I have a family on campus who’s got my back. No matter what.” – McCaela Sullivan, 2017


BC Alum Warming Hearts at the MFA with A Will for the Woods

By Cuilin Chen


Award winning documentary
Saturday, October 11th @ 2:30pm
Museum of Fine Arts, Boston

If tomorrow were your last day, would you live it differently? What would you do? What kind of person would you think you were?

Directed by Boston College alumni Jeremy Kaplan and Tony Hale, documentary feature “A Will for the Woods” follows Clark Wang, a dying man who decided that his last act would be a gift to the planet — a green burial. A musician, psychiatrist, and folk dancer, Wang battled lymphoma for eight years, which aroused his concern for the environment and inspired him to take part in the green burial movement. Although the disease eventually exhausted Clark’s body, his spirit lives on in the legacy he left for the ecosystem.

Hale and Kaplan are both Brooklyn based and produce work that demonstrates a strong interest and genuine concern for the environment. They consider “A Will for the Woods” their most gratifying production to date. With their co-directors, they followed Clark for a year and filmed his personal life so closely that it’s difficult not to get caught up in the emotional power of Clark’s story. Along with Clark’s loving community, we are constantly confronted by his struggle between despair and hope: an approaching death is certain, yet unknown. Such a paradox prevails in human life — first we must realize how powerless we are, then we become powerful with that realization.

Kaplan described the film as “intimate” and said the film’s aesthetics are rooted very much in nature as well as human nature. The directors also told me that it was not easy to touch on a topic that has something to do with death. I could only imagine the difficulties the film may have faced in funding and reception. But as a viewer, I felt surprisingly consolidated in the end. It is as if you have been stumbling in darkness for so long that you would not even desire a compensating destination close to the sun, rather you would be happy to catch just a beam of light. Name it mortality, misfortune or anguish, it is by force we live with such a complication, yet it is by choice how we live it.

Directors Jeremy Kaplan, Tony Hale, Brian Wilson and Amy Browne (l-r).

Directors Jeremy Kaplan, Tony Hale, Brian Wilson and Amy Browne (l-r).


The scenes effectively capture the beauty of nature. A blossom for spring or a snowflake for winter, seasonal changes are parallel to the cyclical pattern of life. The film is also unified by a harmony in the relationship between humans and a harmony between human and nature. Clark did not fight alone. For his own life as well as the green burial movement, he had a supportive community that loved him dearly and would carry his spirit onwards. In this sense, Clark entered the endless cycle of life. In a larger sense, he entered this cycle by returning to nature.  Therefore, when I reflect upon my own life, I come to a two-fold definition of it: Who have I loved? What have I loved?

With tears in their eyes, many viewers were deeply touched by the film, which sparkled a lively discussion in the Q&A afterwards.

I have yet to find out answers for my questions, for it is my story. The film, however, is about the Green Burial Movement, embodied by mainly the personal story of Clark, and stories of many others. It is intertwining, poetic, or quoting the directors, rather “organic”.

Jeremy Kaplan, Co-director/Director of Photography, received his BA in film and philosophy in Boston College. His documentaries have brought him around the globe, yet among all, he finds A Will for the Woods his most gratifying work. Tony Hale, Co-director/Editor, studied Mathematics at Boston College and rediscovered his passion in filmmaking later. His works include non-fiction and narrative projects as well as character-based stories

BC Students Out in Force at the Independent TV Festival


The BC crew on the Red Carpet at the ITVF Awards

The BC crew on the Red Carpet at the ITVF Awards

Last weekend, the Arts Council accompanied students of the Independent TV class to Vermont for a four-day field study at the Independent Television and Film Festival. Set at the base of Mount Snow, the tiny town of West Dover, Vermont was overrun with web series stars, actors, producers, and executives. Students watched dozens of TV pilots, attended VIP parties, networked with industry professionals, and learned about the realities of working in TV by listening to panels of professionals talk about their careers and experiences.

The ITVFest is an annual event, recently transplanted from LA to Vermont, showcasing emerging talent in film and web television. The festival director, Philip Gilpin, Jr ’03, is a Boston College alum who reconnected with the university through the Arts Council’s Career Night for the Arts last year. The council collaborated with Gilpin to create a course that focused on a practical approach to securing TV-based careers after graduation. The result of our combined efforts was was this unique opportunity for current BC students to get a head start making connections in the TV industry. After three days of screenings, networking, and beautiful scenery, the BC posse represented on the red carpet at the ITVFest Awards ceremony and gala. Roll on next year!

Zadie Smith Reads at Boston College

London-born novelist Zadie Smith teaches at NYU.

London-born novelist Zadie Smith teaches at NYU.


Zadie Smith, award-winning novelist, essayist, and short-story writer best known for her debut novel White Teeth, treated a wrapt Boston College audience to a reading of her new story, “Miss Adele Amidst the Corsets,” yesterday evening. Gasson 100 was full to bursting: eager listeners crowded at the back behind packed seating, pressed into the sides of the room, perching on the windows, clutching well-worn copies of White Teeth or NW, Smith’s latest novel. Excitement was palpable, a buzz reminiscent of English playgrounds in early 2000’s as copies of White Teeth were passed around like illicit cigarettes, taken home to be devoured in late-night reading binges. This installment of the Lowell Humanities Series  was initially scheduled to host Edwidge Dandicat, acclaimed Haitian-born novelist and nonfiction writer who was forced by unforeseen circumstances to withdraw from the event, asking Smith to take her place. The Boston literary community were certainly glad that Dandicat found an equally respected and illustrious writer as her short-notice replacement.

After apologizing in advance for attempting an American accent, Smith launched into “Miss Adele Amidst the Corsets” with very little foregrounding: we knew only that it was set in New York, the protagonist was an African American drag queen, and that we would be getting the whole story, no matter how long it took. It became clear early on that this would be, in fact, a masterclass in delivery, Smith alternating between Miss Adele’s sassy American quips and the narrator’s deep British tones in what became a seamless one-woman dramatic reading, all characters vocally distinct and fully embodied.

It wasn’t just the texture of voices that Smith conjured to animate her words that her audience found so compelling, it was the tissues of deeper lives poking up through the surface of the story, grounding the action in a denser sense of personal history, of the city’s history, revealed with the deftest of touches, and then quickly submerged again beneath a snappy one-liner. Miss Adele walks the freezing streets of New York, lamenting the partial gentrification of the neighborhood — why didn’t they go all the way instead of half-assing it? — and musing on her strict religious upbringing, her straight-laced brother living in Florida. Entering an unassuming and family-run corset shop, Miss Adele encounters a husband and wife bickering incessantly in a language she can’t understand, abysmal customer service, and her own aging body. Importantly, she is confronted by her own expectations of judgement and discrimination — her conviction that she can detect derision in spite of language barriers. Meaning, for Miss Adele, is universally felt. Making us laugh, making us think, making us sit deathly still  in order to catch every word, Smith delivered an exemplary literary performance.

Zadie Smith signed books for a long line of fans.

Zadie Smith signing books for a long line of fans.

Afterwards, the usual run-through of writer Q&A’s — where do your characters come from, and which writers do you admire — concluded with an unexpected non-question: a man stood up in the middle of the room and thanked Smith for writing; her influence made the world a better place, he said. The audience applauded their support of this statement, glad to leave Smith with something of the feeling she had left them. Later, at the signing table, Smith took her time, chatting at length with those who waited for a signature, diffusing these usually awkward exchanges with questions about her readers lives, leaving a lasting impression of a woman truly engaged with the world around her — unaffected, sincere.

“Miss Adele Amidst the Corsets” appears in the current issue of the Paris Review, which also features poetry by Smith’s husband, Nick Laird. The last in the Lowell Humanities Series for this semester takes place next Wednesday, April 9th, Gasson 100, and features Emma Donoghue.

Next Stop Arts Fest: Three of BC’s best go through to the next round of Battle of the Bands

3. Seaver4

Battle of the Bands 2014 kicked off with a fierce preliminary competition.

The Vanderslice Cabaret Room was bursting with supporters for the six bands going head to head on Friday March 14th , competing for a place at the Arts Festival’s BC’s Best. Juice, Seaver’s Express, and Bobnoxious and the Master Craftsmen emerged victorious, and will be going on to play at the festival on Thursday, April 24, in the hope of winning a slot at this year’s Modstock.

Openers Juice impressed with a diverse range of influences. Photo courtesy of The Heights and John Wiley.

Openers Juice impressed with a diverse range of influences. Photo courtesy of The Heights and John Wiley.

Representing a diverse mix of styles, from indie rock to smooth, jazz-infused pop, by way of the distinctive soul-hop of Times New Roman, all six acts played blistering sets that proved, once again, that the band scene is alive and well at Boston College. Newcomers Juice raised the bar early with an eclectic mix of feel-good rock, rap, and violin hooks, followed by Free Alley, who almost stole the show with their first song, “One More Time,” that saw keyboard player Alex rushing to the front of the stage to join the guitarists in a deliacte three-part harmony.

The Seaver brothers were very much the dynamic duo. Photo courtesy of The Heights and John Wiley.

The Seaver brothers were very much the dynamic duo. Photo courtesy of The Heights and John Wiley.

Seaver’s Express exploded onto the stage with dynamic frontmen the Seaver brothers proving themselves a formidable presence in the competition. Energized, and armed with effortlessly hip, original tracks, the BC/Berklee five-piece established themselves as the band to beat early on. Changing the pace mid-way, Times New Roman delivered his stylized brand of hip-hop inflected pop with impressive precision, before BC’s Best veteran competitors Bobnoxious delivered a tight, powerful set that proved their determination to clinch the title this year. Closing out the night, The Mints charmed everybody with laid back jazz-laced love songs that earned them the “most kissable” award from emcees Lou and Ceara.

Veterans Bobnoxious pulled out all the stops. Photo courtesy of The Heights and John Wiley.

Veterans Bobnoxious pulled out all the stops. Photo courtesy of The Heights and John Wiley.

For a full write-up, check out The Heights review, and make sure to support final round qualifiers Juice, Seaver’s Express, and Bobnoxious and the Master Craftsmen at Arts Festival 2014, Thursday April 24, 8:00 p.m. in the Main Tent.

Robsham Hosts Production of For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf

Blog For Colored Girls

Thursday March 20 – Sunday March 23

Thurs – Sat 7:30 p.m.; Sun 2:00 p.m. Robsham Theater

Written by Ntozake Shange, the play first opened on Broadway in 1976 and has since been adapted to television, film, and book form. A combination of poetry, song, and a variety of dance styles, the show stars seven dazzling African American women dressed in different colors performing a series of poems. This group of fierce women hail from seven different cities and come together to express the struggles and obstacles they have faced and overcome, finding their rainbows through love, friendships, pain, suffering, and music.

The Black Box theater in Robsham is cozy, dim, and perfect for the interactive nature of the performance. Multiple small tables for audience members are located in the middle of the stage, with more seating situated in front and to the side. All seven actresses performed the characters effortlessly, each one a little different, but all together powerful in their interactions.

If you haven’t already picked up your ticket, you’re going to have to scalp someone else’s because all performances are sold out! Great job to the ladies of the Rainbow and all of the directors, performers, and crew that put this show together. It’s must see!

“Are the Decisions of This Generation Honoring the Future of the Next?” BC Alumna Frances Dubrowski Raises the Big Questions About Climate Change

Artists Tackle Climate Change at BC Arts Fest 2014:

Honoring the Future: Artist Panel and Discussion

Thursday April 24, 6:30 – 8:30 p.m., Devlin Hall 101

Peter Handler (figure carving by Casey Gleason),  Arctic Ice Reliquary (2011) Turned Sitka spruce, anodized aluminum, painted basswood, glass. Dimensions: 18" D x 48" H. Courtesy of the artist.

Peter Handler (figure carving by Casey Gleason), Arctic Ice Reliquary (2011) Turned Sitka spruce, anodized aluminum, painted basswood, glass. Dimensions: 18″ D x 48″ H. Courtesy of the artist.

The ongoing conversation surrounding climate change is increasingly essential in the face of rising sea levels and extreme weather, fast becoming a global environmental issue. At this year’s Arts Festival, Boston College will contribute to that conversation through a special event designed to educate on climate change through art. Honoring the Future, a new non-profit project directed by BC alum Frances Dubrowski, ’70, will introduce festival-goers to prominent contemporary artists who produce art in response to climate change.

Boston College is an ideal place to stage this discussion, explains Dubrowski, due to the college’s “commitment to discernment.”  Occurring every year around Earth Week, the festival itself has a history of recognizing the relationship between arts and environmental responsibility; past events include photographer James Balog’s festival appearance in 2013 and the screening of award-winning eco-documentary Chasing Ice. At the Arts Council, we’re delighted to continue raising awareness of climate issues this year with a program that Dubrowski says will “examine the central questions each of us faces:…What can I contribute? How can I match my individual talents to the world’s needs?”

Soon we may all be forced to confront these questions as the stakes are rising with the sea; Dubrowski claims that numbers of the dislocated and homeless as a result of floods, wildfires, hurricanes and other natural disasters could reach the millions as entire nations, perhaps, destabilize, a scenario the American military is already preparing for. “The central issue — the one essential truth we must come to terms with — is that we have the power to craft a different future for us and for our children if we act now.”

In a bid to educate and empower the public on climate change, Honoring the Future aims at harnessing the ability of art to encourage reflection, engage the emotions, and foster creativity, as a means of inspiring Americans to “summon creativity and courage, individually and collectively, to respond to our climate challenge.” After their appearance at Arts Fest, Dubrowski and co. plan to take their “Climate SmART” lecture series across America and work with education institutions to develop curricula that introduce an art-based approach to climate science.

Mags Harries and Lajos Héder, Sunflowers – An Electric Garden (2009) 15 “sunflowers” along I-35 highway, Texas. Photovoltaic custom cells, steel, earth forming, planting.  Each approximately 18’-26’ high. Photo credit: David Newsom. Courtesy of the artists.

Mags Harries and Lajos Héder, Sunflowers – An Electric Garden (2009) 15 “sunflowers” along I-35 highway, Texas. Photovoltaic custom cells, steel, earth forming, planting. Each approximately 18’-26’ high. Photo credit: David Newsom. Courtesy of the artists.

The importance of education in schools is encapsulated in the project’s name: “Honoring the Future” serves as a reminder that the next generation — current students — will bear the consequences of the previous generation’s energy and lifestyle choices. “Each of us must begin to discern our individual contribution,” says Dubrowski, “and make choices that respect the birthright of tomorrow’s generations to a vibrant, healthy future.” The artists’ work encourages us to examine our own behavior, to ask ourselves whether  the decisions of this generation are honoring the future of the next. Once that question is asked in a way that is “thoughtful, creative, hopeful, and collaborative,” says Dubrowski, we will each be able to better understand how we, personally, can contribute to positive change.

The Arts Council are proud to support the aims of Honoring the Future by including the program in this year’s Arts Fest; the session will include images of climate-related work by four outstanding artists, and an opportunity for audience-panel interaction and discussion.  Join us Thursday, April 24 in Gasson 101, Boston College campus, and get involved in what might be this generation’s most important conversation.

Honoring the Future is sponsored by the Open Space Institute, Inc, as part of its Citizen Action Program. Open Space Institute is a leader in environmental conservation and has served as a fiscal sponsor to over 130 successful citizen action projects.

Frances Dubrowski, ’70, has spent over 35 years as an environmental lawyer, and has taught law and policy at both Georgetown University Law School and the University of Maryland, as well as to American and overseas government officials, bar associations, and community organizations.

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Upcoming Events

  • Dramatics Society October Event: "Tigers Be Still" October 30, 2014 at 7:30 pm – November 1, 2014 at 8:30 pm Bonn Studio Theater in the Robsham Theater Arts Center
  • BC Bands: Music From the Land of Hope and Glory November 1, 2014 at 7:00 pm – 9:00 pm Gasson 100 University Wind Ensemble
  • University Choral: Fall Concert: Mozart's Requiem November 14, 2014 at 8:00 pm – 9:00 pm Trinity Chapel
  • BC Bands November 18, 2014 at 8:00 pm – 9:00 pm Gasson 100 Symphonic Bands
  • The Trojan Women November 20, 2014 at 7:30 pm – November 22, 2014 at 8:30 pm Robsham Theater

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